
There’s more here than meets the eye. Nicholas Philibert’s follow-up to Être Et Avoir ploughs deep furrows from a seemingly simple tale: his return to the Normandy countryside, where he assistant-directed a feature about a 19th Century multiple parricide in ’75. There, he meets the local non-professionals cast in the flick, who chinny-wag cheerily about their brief movie careers. So far, so gently nostalgic. Gradually, though, Philibert’s watchful approach proves fertile.
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