For all its visual flair and madcap invention, The Science Of Sleep was always going to be Eternal Sunshine’s poor relation: a fanciful deluge of playful surrealism that desperately needed some of Charlie Kaufman’s intellectual heft and emotional heart. One year on, however, Michel Gondry proves his unhinged imagination can work its magic without the Adaptation scribe’s genius underpinning it - and all it took was Jack Black, a camcorder and a store full of erased videotapes.
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