Described in the press notes as a story of "fate strummed by the hand of destiny", Vicente Aranda's new version of Carmen ditches the operatic Bizet score and works directly from Prosper Mérimée's 1847 novel. What emerges is little more than a torrid potboiler, brimming with grizzled, taciturn men, untamed, passionate women, betrayals, knife fights and oodles of bonking.
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