The hoary old split-screen device divides audiences as surely as it does characters. Some find it smartly experimental, others find it pointless. In director Hans Canosa’s two-hander, it’s a bit of both. Aaron Eckhart and Helena Bonham Carter take separate screens as people who meet at a wedding, perhaps not for the first time. He thrusts, she parries, he drinks, she smokes. As they edge into one another’s space, a hotel-room assignation looks inevitable.
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