Tim Robbins should stop wasting breath insisting that his latest release is not - repeat, not a political film, but a comedy. It's like he suddenly hankers after the career of Barry Sonnenfeld or the Farrellys. But any flick calling itself "a (mostly) true story", set at the tail-end of the Depression and touching on union agitation, right-wing paranoia and the awkward collision between big business and working-class art gets the "political" tag in our book.
Read the full Cradle Will Rock review
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