You know all those docu-style, shaky- cam films that are everywhere now? Blame Paul Greengrass.

He started in TV docs with World In Action, took his docu-real approach to TV flicks Omagh and Bloody Sunday and took the whole lot to cinema features, shooting The Bourne Supremacy in the style that was to reach near-perfection in United 93 and then total perfection with The Bourne Ultimatum.

TV we want to see: He should bring his realist touch to Casualty, making it compelling viewing again.