The 67 Most Influential Films Ever Made

From 1895-1999. The flicks that taught Hollywood its tricks...

21. Citizen Kane (1941)



Influential, how? Movies get cinematic.

The 26-year-old Orson Welles expertly marshalled theatrical influences, dazzling technique, innovations in cinematography and the latest technology to produce a film that showed his fellow (older) filmmakers the sheer scope of the medium.

Some of the staging might seem a little hammy today (hell, it is over 60 years old) but Kane's simple, universal subject (the tragedy of an all-powerful man who wants the one thing he can't have) hasn't aged a day.

François Truffaut said that Kane is less influential than it is inspirational. We say it's one of the few films that manages to be both.

Money shot: The opening tracking shot: an immaculate temptation (“No trespassing”). Afterwards, there's an awful lot of shots - all bang the money...

For an extended look at Citizen Kane, see this feature in the latest issue of Total Film Magazine.

22. Meet Me In St Louis (1944)

Influential, how? Movies find their true voice.

Vincente Minnelli’s family musical broke ranks with the backstage template. Here, the songs aren’t so much show-stoppers as plot-pushers, woven spontaneously into the characters’ daily lives.

Set the tempo for everything from The Sound Of Music to South Park.

Money shot: The Trolley Song: ding-ding go the bells, sing-sing go the passengers…

23. Rashomon (1950)

Influential, how? East comes west.

The West finally woke up to Japanese film when Rashomon won Venice’s Golden Lion (and went on to win an Oscar).

The idea - a rape and murder related through conflicting flashbacks - has been repeatedly ribbed but never bettered.

Money shot: The second flashback, when we realise the camera does lie.

24. A Streetcar Named Desire (1951)

Influential, how? Marlon brings The Method.

Marlon Brando as Stanley Kowalski: maybe the single most influential performance in the history of American film and theatre.

This was the first production to emerge from Elia Kazan’s Actors' Studio, and its intensity rocked Broadway, before jumping to celluloid.

In Tennessee Williams’ play, Stanley is a working-class brute who resents the airs of his sister-inlaw, Blanche. Brando’s naturalism came as a shock to moviegoers, who weren’t used to seeing sweat, but it was his sexual magnetism that really scorched the screen.

Money shot: “Stella!!!!” Brando howls into the night as his submissive wife folds into his arms.

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Comments

    • avoidz

      Apr 3rd 2009, 14:41

      Great article; one of your best. Thanks!

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    • filmgeek27

      Apr 5th 2009, 10:58

      Great feature. I have to admit to not buying the magazine for a few months now (I've just been clicking on to the website) but after that I'm going to go out and get this issue

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    • waldolydecker

      Apr 17th 2009, 9:44

      Oops! Your "Room at the Top" still is in fact a scene from Clouzot's "Les Diaboliques", starring Simone Signoret and Vera Clouzot - another influential film, no doubt. How could you forget "Rebecca", "Laura", "Singin' in the Rain", etc. Your list is interesting however, but quite a few of the contemporary titles quoted are worthless and will be forgotten in 10 years from now. Wanna bet? See you in 2019!

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    • WisdomPersona

      Apr 17th 2009, 14:40

      For the most part, a great list. However, why choose "Mean Streets" as the film that 'plugged in the jukebox'? "American Graffiti" had far more pre-recorded songs, and was released three months earlier. What gives?

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    • horrorfilmx

      Apr 17th 2009, 17:43

      Interesting article, but you mention that "Star Wars revolutionised CG visual effects". Star Wars had no CG visual effects, at least not until Lucas redid it decades later. That's why the original Star Wars looks so much more real than all the CGI junk that followed it, and why a generation raised on video games considers it "dated" and "cheesy" --- because they have to grounding in reality any more.

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    • futureman

      Apr 18th 2009, 4:02

      Good article but s didn't Superman bring about synergy? They completed a whole series of movies before the first Batman. I was also surprised there was no mention of the movies that influenced the sequel.

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    • Apathygrrl

      Apr 18th 2009, 18:11

      I'm actually surprised to find that the original King Kong isn't on your list.

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    • daveman14

      Apr 19th 2009, 2:02

      Great list but I'm surprised you left off Trip to the Moon by Melies as it is the first narrative film in history.

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    • Asterix

      Apr 19th 2009, 3:03

      Awesome article, but..... Why "Cableguy" (1996) and not "Back to the Future" (1985) (a family movie - the most influential travel time movie)? Why "Batman" (1989) and not "Superman - the movie" (1978) (You can believe a man can fly!...perfectly - the first comic book adaptation of all time)? And, where's the Godfather?????????

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    • grantmccall

      Apr 19th 2009, 4:14

      I'm quite surprised that the first feature film ever made isn't in this list: The story of the kelly gang - It's an Australian film, 60 minutes in length.It precedes "Birth of a nation" by 9 years. Oh well, us Aussies usually get left out of most important lists. http://en.wikipedia.org/wiki/The_Story_of_the_Kelly_Gang

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    • grantmccall

      Apr 19th 2009, 4:15

      I'm quite surprised that the first feature film ever made isn't in this list: The story of the kelly gang - It's an Australian film, 60 minutes in length.It precedes "Birth of a nation" by 9 years. Oh well, us Aussies usually get left out of most important lists. http://en.wikipedia.org/wiki/The_Story_of_the_Kelly_Gang

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    • heidavey

      Apr 19th 2009, 20:08

      You're first film is 7 years too late - "Traffic Crossing Leeds Bridge" is widely regarded as the first film, that was followed by "Roundhay garden scene" both in 1888 - http://www.imdb.com/title/tt0343112/ http://www.imdb.com/title/tt0392728/

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    • Jawsphobia

      Apr 22nd 2009, 16:26

      In the Blade Runner blurb, neon noir, looks more like a typo of the proper term neo-noir than a play on words. And although Blade Runner has some neon in it it is not wall-to-wall at all.

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    • ciaraosullivan

      Aug 17th 2012, 17:10

      I'm surprised that you left out Who Framed Roger Rabbit.

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    • ciaraosullivan

      Jun 13th 2013, 14:11

      No mention of Le Voyage dans la Lune?

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