The Role: Michael Sullivan
Why It’s The Best: There are a number of underrated performances in this film, but it is Hanks, who plays against the grain of his established screen persona, who sticks in the mind.
Despite an iffy barely-there 'tache, Hanks convinces as a contract killer and, vitally, a committed father, in a way that a more obviously-cast actor may have failed to do. He's the emotional anchor at the centre of a veritable Venn diagram of father-son relationships, with his scared son and surrogate father on either side.
Iconic Moment: When Sullivan finally gets revenge on his boss (Paul Newman) who betrayed him and murdered his family. The intense, rain-soaked scene has become even more iconic on account of the fact that it is Paul Newman’s final onscreen appearance.
Tom Says: “The key to this whole thing is the father and son relationships in the various permutations of the fathers and the sons that go on in the movie. I've got a father and I have sons. That alone helped. But there's a whole ocean of emotions to explore here and a million ways to find the universe of what these relationships are going to be,”
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Comments
Hadouken76
Jul 1st 2011, 12:11
Brilliant! Tom Hanks crying watching Turner and Hooch, is why he'll always be more human and less Hollywood. Glad you included the 'Burbs, an eighties gem, a remake is needed with Simon Pegg and Nick Frost...Saving Private Ryan losing out to Shakespeare in Love at the Oscars proves that something is rotten in the heart of AMPAS... more backhanders than Wimbledon I suspect..
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