The Dogme bandwagon rolls on with Gypo, the first British movie to sign up to the rigidly austere diktats laid down by Lars von Trier and his Danish chums a little over a decade ago. Predictably it’s a glum affair, from its rundown setting on the rainy Kent coast to its dour tale of racial prejudice against defenceless Czech immigrants. But it’s not all doom’n’gloom, with director Jan Dunn carefully incorporating a lesbian subplot and a three-pronged narrative that keeps the complete picture just out of reach.
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