
Spike Lee couldn't make a dull movie if he were ordered to with a gun pressed to his head. Here, he weaves his familiar mix of textured technical wizardry and poetic resonance into a subject he was born to film. From the dazzling slo-mo opening montage of black, white, rich and poor kids each spinning their solo hoop-and-ball artistry, it's clear that Lee is not only in love with the purity of the sport itself but also with the idea of basketball as a social leveller.
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