Originally released just weeks after the D-Day invasion, Laurence Olivier’s imaginatively mounted Technicolour version of Shakespeare’s play was conceived as propaganda, expressly aimed at boosting British morale. The visuals incorporate a diverse range of settings: the beginning and the end take place in a mocked-up version of the Globe theatre circa 1600, there are studio sets for the French courts and castles, while the battle scenes at Agincourt were actually shot in the Irish countryside.
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