The anguished tale of two married couples, as Sydney Pollack leaves Judy Davis for a gravity-defying aerobics instructor and Woody Allen replaces Mia Farrow with baby-faced Juliette Lewis. Far more bitter than Woody's usual worryings over relationships, the bleached colour scheme and shudder-judder camerawork add to the discomfort. Straight-to-camera monologues chop everything up still further, the characters dissecting their actions with the benefit of hindsight.
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