
Great French mime Jacques Tati's 1953 film marked the arrival of M Hulot, the on-screen alter-ego he would play in four further features. A ""real gentleman"" and blithe trouble-magnet, his trip to the seaside unwittingly prompts a soft-slapstick symphony of music-hall mischief involving hats, boats, towels, tennis rackets, funeral wreaths, stiff winds, loose moustaches and more.
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