Margot At The Wedding (2008)

You can’t help asking just what Noah Baumbach’s upbringing must have been like. His breakthrough movie, 2005’s The Squid And The Whale, pitilessly dissected the divorce of a highbrow Brooklyn couple, seen mainly through the eyes of their confused, distressed teenage sons – and was by all accounts largely autobiographical. Now comes Margot At The Wedding, again constructed around a fractured family – but this one’s so viciously dysfunctional as to make The Squid’s clan look like the Waltons.

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