Miracle On 34th Street (2006)

“Keep Ted Turner and his damned Crayolas away from my movie,” snarled Orson Welles when he heard rumours the telly boss wanted to produce a colourised print of Citizen Kane. Presumably the big man had caught a glimpse of the in-colour version of Miracle On 34th Street, one of the first movies tarted up that way. Blurry and garish, the touch-up adds nothing. In fact it takes away charm rather than adds it – the whole point of the story about Santa (Edmund Gwenn) turning up in ‘40s New York (and being brought to trial because everyone thinks he’s nuts) is that you’re getting a mythical character in a rock-solid real world setting. The bleary colourisation process just makes everything look like a woozy Disney-esque nightmare...

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