Harmony Korine was an underground sensation in the late ’90s on the back of his screenplay for Larry Clark’s Kids, as well as his own provocative directorial efforts Gummo and Julien Donkey-Boy. Re-emerging after a long battle with drugs, Korine has come up with a surreal, absurdist fantasy about fame and faith. It’s every bit as idiosyncratic as his earlier movies, but more obviously open-hearted and less given to sensationalism. All the same, Mister Lonely is not going to be for everyone.
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