Let’s hope the drought is over. Following the shameful neglect of his last two features, The Neon Bible and The House Of Mirth, it’s been nearly 10 years since Terence Davies has managed to find funding for any of his projects. But the enthused reaction at Cannes to Of Time And The City, a cinematic ode to his native Liverpool, may herald a long-overdue return for one of our finest and most individual filmmakers.
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