Casablanca was written on the hoof, with pages scrawled while Bogie and Berg waited in their trailers. The Bourne Identity was constantly revised, with scenes reshot weeks before release. Apocalypse Now was forged as typewriters clacked along with the gunfire. And now there’s Pirates Of The Caribbean: At World’s End, with A-list screenwriters Ted Elliott and Terry Rossio on set for the duration of the marathon shoot, working to not one but two fixed release dates, trying to expand a universe and craft a franchise with an army-sized crew on standby, the studio till kerchinging on a daily basis.
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rebratta
Jan 17th 2010, 7:16
this is my fav potc movie and i dont know why everyone bags it out can some one please tell me what is so wrong with it
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