Don't let the post-9/11 trappings fool you - this is a hugely old-fashioned three-act movie, from its faux Hitchcockian stylings to the planeload of character clichés straight out of Airport '77 (kindly old lady, raucous teens, uptight businessman, cute kid... the only thing missing is a singing nun). But, as the Scream films showed, Wes Craven's a dab hand at spinning the tired and familiar into something post-modern and witty. He can do the same here, right? Right?
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