Too Late Blues


Cassavetes' time signature

John Cassavetes’ second film as director marked a rare Hollywood engagement for the famously independent filmmaker. Long dismissed as a creative cul-de-sac, it’s also a fascinating ‘what if.’ As non-conformist jazz player Ghost (Bobby Darin) lets his idealism threaten his success, the film displays a similar tension between art and commerce, its B-movie material enlivened by a director experimenting with studio resources and his own embryonic style.

The result is a melancholic affair that spills its emotions as loosely as the music. Whatever its flaws, there’s a real itch to break free from mainstream melodrama to something deeper.

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