“We all gotta get off this bus!” squeals the God-fodder teetering over a broken bridge in this gleeful fourth sequel, whose shiny, stabby 3D outdoes the previous instalment.
Nicholas D’Agosto is the savant who survives the disaster – one of the moneyshot sequences of the year – but for how long?
Although the exposition scenes distract from the grisly business of throwing sharp things show-stoppingly screenwards, writer Eric Heisserer and director Stephen Quale’s witty kills are such a blast you may wish they hadn’t wrapped the series up so neatly.
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