Thai auteur Apichatpong Weerasethakul’s Palme d’Or-winning oddity baffles and beguiles.
It’s the story of a dying farmer visited by his relatives – and not just the living ones.
Even by arthouse standards, Apichatpong’s style is oblique (add-on short A Letter To Uncle Boonmee further perplexes).
Divisive, sure – but thanks to lush photography and sound design, you’ll view the director’s weird world with the same awe he does on the bonus interview.
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