German cinema hasn't exactly left a dent on the British box-office during the past decade - you could count the number of recent, outstanding German movies on one hand. Tom Tykwer's last film, Wintersleepers, was critically well-received, but hardly drew large crowds; however, his latest, Run Lola Run, promises otherwise. The concept is universal and the dialogue is suitably minimal, so the distraction-from-action subtitles are kept to a minimum - although the narrative becomes so absorbing that you'll forget you're watching a foreign movie.
Read the full Run Lola Run review
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