
Rewind to 1991: grunge was in, rock was out, Douglas Coupland’s era-defining novel Generation X was about to hit bookstores and George Bush (the other one) was busy fighting the Iraq War (the other one). With everyone dazed, confused or both, Richard Linklater’s meandering, freeform Slacker nailed the irony, apathy and absurdity of the times.
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