You could say Guy Ritchie's got a lot to answer for. After wowing audiences with his fun, flashy East End crime comedy Lock, Stock And Two Smoking Barrels, he effectively laid the channel for a stinkin' welter of sub-substandard Brit crime thrillers (Circus, Rancid Aluminium), which have since been clogging up the UK release schedules like a turd convention in a U-bend. Still, it hardly seems fair to blame Ritchie for the crapness of his imitators - - his movie made a mint, so it's unsurprising that everyone else and their uncle's dog tried to cash in.
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