Visually ravishing, but with a plot as creaky as a boarding-house bed, David Lean’s Technicolor travelogue romance spends as much time lapping up the picturesque sights of ’50s Venice (Piazza San Marco, pigeons, big-eyed urchins) as it spends with feisty, 40-ish Ohio tourist Jane Hudson (Katherine Hepburn, doing her sharp-tongued spinster thing).
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