It's a shame director James Foley has never returned to the peak he reached with 1992's magnificent Glengarry Glen Ross - and an even greater shame that bent-cop thriller The Corruptor merely continues his run of unremarkable big-screen offerings (Fear, The Chamber). At first glance, this seems a little odd: a drama about real-estate salesmen sounds boring, but Glengarry Glen Ross was taut, sharp and gripping; a thriller about corrupt policemen sounds intriguing, but the result is dull - and confusing.
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