For anyone who loves the mean streets of film noir and the lethal, alluring femmes fatales who prowl them, John Dahl’s The Last Seduction is an irresistible treat. The plotting is serpentine, the dialogue snaps like a wounded cobra and the gleefully heartless tone never softens for a second. Best of all, the film enshrines one of the great ruthless-bitch performances of all time: Linda Fiorentino’s Bridget Gregory.
Read the full The Last Seduction: Special Edition review
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