
Buying into the sweet, slow Southern feel of Savannah, Georgia (filmic graveyard of slumbering nonsense like Midnight In The Garden Of Good And Evil and The Gingerbread Man), Redford produces the stickiest and sickliest of films. Slathering the action in amber-filtered light, it's easy to believe he'd shot Bagger Vance in an actual vat of syrup as opposed to a metaphorical one. Certainly, Will Smith and Matt Damon would have floundered about less.
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