Beautifully performed, technically astounding, fiendishly intricate and steeped in knowing references, it's tempting to see The Man Who Wasn't There as just another day at the office for Joel and Ethan Coen. But those who complain should remember that Hitchcock, initial experiments aside, worked for five decades in one genre, that Woody Allen has been finding new angles on the same themes for a quarter of a century and that Tarantino, the most famous director of the last decade, hasn't so much as dipped a toe outside the crime genre.
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