This black-hearted, desert-scorched suspense piece is Oliver Stone's best movie for years. He's finally freed himself from the heavy-handed, political polemicising that has shackled his directorial efforts since his debut, The Hand. With U-Turn, Stone leaps headfirst into David Lynch country - the evil, festering arse-end of small-town America - and delivers two hours of supremely nasty doom-laden film noir entertainment.
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