
James Gray, the filmmaker behind We Own The Night, is not a man to be rushed. Six years divided his 1994 debut Little Odessa from its follow-up The Yards, while we’ve had to wait another seven for its successor. Clearly this is a man who likes to think long and hard before embarking on his next project... only to then make a film that’s pretty much indistinguishable from the one that preceded it.
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