The after-life is a tricky business. Some people believe in it, some don't. And even those who do believe have very different ideas of what existence will be like "on the other side". Ghost just about got away with representing a mysterious life after death without being too offensive - although the visions of good (white) and bad (black) ghosts coming to abduct people when they died did leave a nasty taste. But the rest of the story walked the line between romance and fantasy with what, in the light of What Dreams May Come, was remarkable poise. For Vincent Ward's meander around the hereafter isn't just offensive in its morality. It's also unbelievably dull.
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