Towards the end of this year’s World Cup, long after English dreams had died, pundit Ian Wright visited Berlin’s modern art gallery. Browsing various baffling installations, the footballer’s reflections marked a watershed. Football had met art and hadn’t made a fool out of itself. Now, pushing those two seemingly disparate worlds even closer together are Douglas Gordon and Philippe Parreno, co-directors of what may become one of 2006’s most divisive films.
Read the full Zidane: A 21st Century Portrait review
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